And it is not only about the typefaces available, but mostly about the skills a designer has. There are Universities that teach typography throughout years, because it is a deep field. Knowing alignment rules, kerning, hierarchy and other terms like these is crucial in making your text say something specific.

The good part is that good typography alone is enough to create a powerful visual identity or design. Being able to hit the right mark with the typography is critical and therefore I will share with you several tips on how to improve your typography skills.

Good typography matters because it plays a vital role in web design. It generates a hierarchy (most of the time visual) and makes the text easier to read and follow. Typography is not only about looking good, but also about providing a functional advantage to the text – being easier to follow and read.

It is important to design with the idea that the result has to mean something. It is even more important to think of the information you want to give to the visitors and how you want to do this. Every typeface says something about itself, so think also about the way you want to transmit the message. Looking at the picture below should make you understand what I mean, even if you don’t have that much knowledge of typography.

The same word has been written with four different typefaces and they create a total different impact. While the one written with Impact creates the most powerful visual attraction of all (the name is not a coincidence at all), the one with Helvetica Neue looks more modern, fine, polished and sleek. The one written with Ethnocentric seems the most modern of them all, but might be difficult to use for something other than titles or headings. The reason why this is will be discussed right away.

"Interaction" written with Helvetica Neue, Impact, Italianate and Ethnocentric.

 There are more font classes in the world, but only two of them are of such importance that everybody should know about them: serif and sans-serif. The difference between them is the “serif”, which are small additional endings at the end of the strokes – specific of the serif fonts. “Sans” comes from French and means “without”, so it is quite obvious which is which.

The serif fonts are usually used in printed material such as newspapers or books. However, magazines employ sans-serif fonts because they are “cleaner” and are easier to read when the font size is small. But according to studies, the serif typefaces may be easier to read in print, while sans-serifs are better on-screen, especially in low font size and low resolution.

The good part about the new technologies on the web are that even if your computer does not have a font you might like to have, downloading it is only few steps away. Moreover, embedding the font into your site, so that everybody who visits it sees the text with the typeface you want, is possible as well now, so why not use this if you can? I would like to show you two examples of websites with integration of custom typefaces, and then we’ll come back and discuss why are they successful.

Egopop Design Studio uses a custom-made font.

Chirp has a funny custom-made font as well.

The success of these two webpages, and many others for that matter, is also given by the way they made use of typefaces. Maybe tomorrow you will not remember what the website was about, but it is very likely you will remember the website itself, because it creates a powerful visual impact – and this is the first step into having a web identity worthy of remembering. This is what a good, well used typeface can turn your website into.

Another good tip is not to overdo it. It is not a good idea to use many fonts, so try to keep the number of typefaces as low as possible. I usually go with two, maximum three. I think two is perfect because you have a typeface (serif maybe) which can be used for titles and headlines, in huge sizes, while the other one is for paragraphs and small text, and often it is a sans-serif. In the image below you can see a good example of two well-combined typefaces.

Pound & Grain uses a sans-serif for the headlines and serif font for text.

If you combine too many fonts in the same design, this can cause your text readability to suffer and will not create the same experience as the example above. Fonts have to be used wisely, and quality is more important than quantity. Although it doesn’t have that much to do with typography, embedding too many fonts will make your site load slower.

Experimenting is the way to find a great combination. Try as many fonts as possible, play with them, combine them, increase or decrease the number of typefaces and so on, until you reach the desired effect. Managing to find the perfect combination rarely happens the first time when you try it, so get ready to spend some hours on this.

The line spacing is critically important as well, because it has a lot to do with readability and impact. Moving the lines apart from each other will make the human eye read them easier, while bringing them closer will obviously have the opposite effect. The average of the line spacing should be about 0.3em to 0.5em larger than the font size, but this is only a guideline and you shouldn’t follow it all the time. Actually, I never even think about this one; I always increase or decrease the line spacing by looking at the text and comparing the options. To realize why big line spacing is important, look at the image below and try to think of which is the easiest to read. Note that the typeface is the same in both paragraphs.

A difference of only 10px spacing (Photoshop size, not HTML/CSS) makes a huge difference.

Another important concept is the hierarchy, which can not only be made by increasing the font size, but also by using different typefaces, as I usually like to do. Headlines and titles are either bigger or have a more powerful, thick font, because they need to stand out. “If it makes a difference, better make it big”. If talking about rules, then this is one you should keep in mind – make the differences obvious.

The hierarchy can be emphasized through color, contrast, dimension or placement, but the most visual is the one emphasized through typography.

The headline is a sans-serif in bigger size, while the rest of the text is written with a serif font.

Measuring the width of the text is important too, but it is more crucial for paragraphs than for headlines. The ideal line length seems to be between 10 and 15 words per line, but this is another rule that doesn’t apply all the time. It is so important which typeface you use, because some are wider than others. The line spacing between rows has an influence over this as well, so don’t think of rules. Ask anybody around you to read your text and then ask if it was difficult, easy or normal. Don’t read it yourself, because you that designed the layout and after spending hours looking at it, small details become unnoticeable.  It doesn’t only depend on the font you use or line spacing, but also about the general width of your design.

Alignment is important too, but the sad truth is that it is impossible to make it work for everybody in the World with only one design. This is because in Western culture we read from left to right, top to bottom, while some countries in the Eastern part of the World read right to left, bottom to top. Therefore you should think of your audience and design for it. If we take the Western culture as an example, then try to have as fewer different starting points on the left side. This is because the eye is used to start from the same point as before when reading a new line, and having a different starting point for each line will make it difficult to read. Maybe we don’t think of this too much, but the brain probably does. It is far more easy to read a text aligned to the left, than a text aligned to the right, and the example below should express this.

The text on the left side is the easiest to read.

Although I am a big fan of the center alignment, I only use it in headlines with few lines. The version on the left side is definitely the best and I think everybody would consider a website aligned to the right a bit weird, especially people in Europe and America. Justifying the text is not a very good option either, because it will create a lot of empty space between the words and this will become confusing. Justifying is usually popular in print, in narrow columns, but not in web design where the containers are usually wider.

The weight of the font is important as well. The weight is actually how thick the font is. Highlighting words or links is usually done by using a thicker font or another color. Having several font weight types means that you can reduce the number of other embedded fonts, because having the same font in different weights gives a feeling of hierarchy and importance.

Helvetica Neue is a font with more than 40 different font styles and weight.

As you can see, typography is built on several important concepts and it is important to keep an eye on all of them. Typography is an important part of any design and if you manage to hit the mark with it, a basic, simple and clean layout will be enough to create a powerful identity. You will have to spend a lot of time on improving your typography skills, therefore I will share with you a list of useful links where you can find out more about the art of typography.

Articles about typography on 1stwebdesigner.com

Articles about typography on Smashing Magazine

25 Excellent Typograhy Tools on Six Revisions

A Crash Course in Typograhy on Noupe

Designing with Type by James Craig on Amazon

Typography and Design one OneXtraPixel

Tips

The right font

As you may already know choosing the right font is often the hardest part of a design that involves typography. But that’s only half of the story. In both digital art and web design you’ll often have to use more than one font. For digital art typography is used more as an artistic element and in web design you have to think about elements like headlines, remarks, call to action and many more things. Don’t get me wrong and stuff your website with a dozens of fonts. Use a few but select them carefully. Remember to take into consideration things like dynamics, font moods and even things like mobile browsers.

Choosing the right font is extremely important in minimal web design because type is what basically will make your website. Oliver James Gosling has chosen a large strong font for title and a smaller smoother one for navigation. The whole website is using about five fonts which is absolutely enough. The typography used in this website creates the right mood and dynamic.

Formatting

Styling and formatting is as important as the choice of the font. Even some of the prettiest and most user friendly fonts can become unpleasing if the styling and layout is awful. One of the tools to avoid messy typography is by using a grid. A grid is especially important in print and web design. Whether you use guidelines in Photoshop or 960 Grid System with CSS think of the positioning, layout, margins and structure. Your eyes will be the best judge.

Francisco Inchauste’s personal website is a great example of efficient use of grid system. The text is divided in three main sections and it’s clear and easy to read. Also other things like headlines, opacity and capital letters makes this seemingly plain text styled and formatted perfectly.

The details

It’s often the tiny little details that separate good typography from excellent. Kerning, tracking, font sizes – all these factors matter especially if we’re talking about web design. In web design all the little details count and they can either enhance or spoil your design. Pay attention to things like spacing between the lines, quote marks and hyperlinks. Typography is a subtle yet powerful science which consists of many tiny details that definitely aren’t insignificant.

You can see an efficient text styling and polished details in the website of Revista Vlov. The font is subtle and smooth and the styling makes it pleasant to read. Line height and kerning are just fine and the transparent boxes give the text that solid and complete look. Also the more important words are nicely highlighted with a different color.

Harmony

Most of the time type is not going to be the only thing that will shape your artwork. This point combines all of the previous and many more typographic rules. You can create a perfect type fitting all typography standards however if it’s not going to interact with other parts of the design it’s pretty much useless. Choosing the right fonts will play a big role, but you have to pay a lot of attention to details and the overall look as well. Pay attention to colors, shapes, images and free space. In web design white space is going to be your biggest friend. Be sure to treat it accordingly.

Pixelschupser Medien design agency has achieved perfect balance and harmony with the use of typography. They’re using a few, yet carefully, selected fonts that do their job greatly. You can easily scan over the services they’re offering and the main content is legible as well. When you look a this website there’s that lovely feeling of completeness. The type in the background is also a neat solution.

1. Pacifico

2. Europe Underground

3. Crystal Deco

4. Fanwood

5. Yonna

6. Francois One

7. Mars

8. Cabin

9. Ostrich Sans

10. Burbin Casual

11. Filetto

12. Familiar Pro

13. Quattrocento Sans

14. Metrophobic

15. Open Sans

16. News Cycle

17. Kristi

18. Egypt 22

19. Code Pro

20. Collator

21. Lekton

22. Slice

23. Capsuula

24. Claire Hand

25. From Where You Are

26. RBNo2

27. Cousine

28. Just The Way You Are

29. Muli

30. Mako

31. Aovel Cool

32. Sketch Gothic

33. Nunito

34. Steelfish

35. Movavi Grotesque Black

36. Shanti

37. Banda

38. Broken Records

39. Six Caps

40. Infinity

41. Dancing Script

42. Sharpie Letterkit

43. Tabitha

44. Phoenix Script

45. Calluna Sans

46. Decibel

47. Shattered 3D Font

48. Wisdom Script

49. Duke

50. Appleberry

Bigger Is Better

Since minimal fonts are rather slight you’ll have to use bigger font sizes in order to make your text visible and easy to read. Try to avoid using a font size lower than 14 points. Big and bold minimal serif fonts usually look awesome in headers and plain backgrounds. Large minimal headlines add an interactive look and accent to  minimal designs.

Fajne Chlopaki uses huge headlines in his website’s header. The site has a clean and minimal style and these large fonts add a creative look to, and complete, the design.

Contrast

If you’re using minimal fonts be sure not to lose contrast. Try to implement light fonts on a dark background or vice versa. Stronger contrast will make your text easier to read since minimal fonts tend to blend into the background if the contrast is to low. Strong contrast will also enhance the whole look and make the fonts really stand out.

The Visualbox site has a dark background and they’re using white fonts for titles. They’re also using a large font size so the text is very noticeable. These minimal style titles also add a little accent to the design.

Keep It Minimal

Minimal fonts are for minimal usage. They’re neat when used sparingly and in the right situation, though they can look unrefined and clash if you clutter them and use inappropriately. Minimal fonts won’t look good in visually heavy designs. Less is more – they will look great in minimal designs with a lot of white space and few details.

Oliver James Cosling’s portfolio has a clean and minimal look. He’s using a large minimal font for the title and a smaller one for navigation. These fonts look strong and neat and they complement the design excellently.

Limit Your Fonts

Different type of fonts tend to conflict with each other and create a mess within your design. It’s especially true when talking about minimal fonts. Accurate use of fonts can add the right flair and character to your design. Using a select few however will help maintain a consistent look. Two to three fonts is usually good, of course, you can use more however you’ll have to be careful that they don’t cause visual noise.

Adoreyou is an excellent example of effective use of minimal fonts. The site itself is a consistent, well-designed minimal style website. They’re using one minimal font for navigation and another one for the titles. The fonts are perfectly implemented into the design, they’re suitable and engaging at the same time.

Examples

Below you’ll find some stunning examples of minimal font use in web design. Each example is unique so you can see how a wide range of minimal fonts can be used. Check out these examples to learn how to implement minimal fonts effectively.

1. Elactique Designs

2. Impala Web Studio

3. Josh Sender

4. Kenny Saunders

5. Studio Luma

5. Teixido

6. My Favourite Thing

7. Samweb

8. Giles Revell

9. Doublenaut

10. Efingo

Fonts

I’ve also collected some nifty, good-looking fonts for you to start enhancing your designs.

1. District Thin

2. Tex Gyre Adventor

3. Cicle

4. Sertig

Minimal Fonts in Web Design: Tips and Inspiration

5. Yanone Kaffeesatz

6. Hattori Hanzo

7. Extravaganzza

8. Tuffy

9. Print Clearly

10. Titillium

Conclusion

I hope you learned something new from these tips and found the examples useful. Remember that minimal fonts are mainly for minimal usage. Don’t exaggerate, though feel free to experiment and achieve new looks. Minimal fonts are subtle but they have a personality which can bring your designs to a whole new level.

There are plenty of free, great looking fonts around the web. In this article you’re going to find 40 clean, crisp and, of course, free fonts for your minimal web design.

1. Raleway

2. Extravaganzza

3. Caviar Dreams

4. Lacuna

5. Junction

6. Delicious

7. Danube

8. Gnuolane

9. Expressway

10. Cicle

11. Sertig

12. Mido

13. Metro Normal

14. Colaborate

15. Quicksand

16. PT Sans

17. Walkway

18. Cantarell

19. Josefin Sans STD

20. Molengo

21. Mentone

22. Hattori Hanzo

23. Emily Osment Font

24. Dezen Pro

25. Tuffy

26. Otari

27. District Thin

28. Aaargh

29. Sansation

30. Tex Gyre Adventor

31. Yorkville

32. Telegrafico

33. Opal

34. Decker

35. Disco

36. Apogee

37. Circula

38. Jalane Light

39. Franchise

40. Dejavu Sans

1. Franchise

2. Nevis

3. SansFat

4. Hit the Road

5. MUSEO

6. Museo Slab

7. Mabella

8. Qhytsdakx

9. Bitsumishi

10. Molot

11. Bebas Neue

12. Days

13. Capricorn

14. League Gothic

15. Orbitron

16. Ambrosia

17. Gayatri

18. telegrafico

19. Can-Can de Bois

20. Sertig

21. Gabo

22. Kilogram

23. Caprica

24. Code Free

25. Coolvetica

26. Age

27. LOT

28. HeadlineNEWS

29. Oregon LDO

30. Ferrum

31. Title Wave

32. TymesLittleCaps

33. Academic M54

34. UNbreakABLE

35. Excite

36. Powdah

37. Clearwerkkraftremix

38. Laconic

39. Calluna

40. 4th and Inches

Learning typography seems to be easy at a glance, in order to achieve a great impact from typography for graphic and web designs isn’t so easy. Many designers found it as a complicated design aspects to practice. Below are the 25+ sites and resources we have selected to help you understanding typography basics in print or web designs, choosing the right fonts for your project, and guide you to create a good typography which aesthetically pleasing.

1. Learning About Type

There are quite a few terms thrown around with regards to typography. Hopefully this article will help you understand more about the world of typography. If this is your first true introduction to typography you probably underestimate the effect it has on the world.

2. Five Simple Steps to Better Typography

This is a series articles, each part explains deep knowledge of typography and help you to understand it more. The kind of typography in these articles is not your typ ical “What font should I use” typography but rather your “knowing your hanging punctuation from your em-dash” typography.

3. Type Is Sexy

This is more like an online book, but presented in interactive way. You will find basic understanding of typography from this site, from Anatomy 101 to The Rules of Good Typography.

4. Know Your Type – Starting Points For Typographic Inspiration

Not every typeface is the right choice for every job, this articles will help and guide you to understand and picking the right choice for different type of job or concept theme.

5. The Type Studio / The Written Word

This page offers links to a number of articles on typography, including PDF versions of archived. These cover individual typography topics in detail, for both online and offline applications (including pull-quotes, visual alignment, bullets, and emphasis, among more than 30 others).

6. Typographic Marks Unknown

There are many typographic marks which are familiar to most, but understood by few. Most of these glyphs have interesting histories and evolutions as they survived the beatings given to them through rushed handwriting of scribes and misuses through history. They now mostly live on our keyboards and in our software, and a few are used often, so it seems only fitting to know where they come from and how to correctly use them.

7. Periodic Table Of Typefaces

A reference table for most popular typefaces and their classifications.

8. Typedia

Typedia is a resource to classify, categorize, and connect typefaces. It is a community website to classify typefaces and educate people about them, very much like a mix between IMDb and Wikipedia, but just for type. Anyone can join, add, and edit pages for typefaces or for the people behind the type.

9. Typographic Design Patterns and Best Practices

This article from Smashing Magazine gives you a broad knowledge of popular typefaces used in web design, also included with some case studies and inspirations.

10. The Right Font for the Job

In this article you will find four main ways fonts can differ, even if most of their letters look the same. Save, bookmark, or print this newsletter and ask yourself these questions the next time you’re choosing type.

11. How to Choose A Font

Have you ever had the problem of not knowing what typeface to use? Well of course you have, everyone has. This is a guide on how to choose a font.

12. 11 Essential Tips for Good Print Typography

You can’t just throw text on a page, it has to be laid out and organized in a clean way that adds to the information being presented. This article will give you  11 typography tips to help you convey information in print the right way.

13. A 20 Minute Intro to Typography Basics

This is an introduction for you who are still new in the design field. Its aim here is to introduce some of the basics and the most common areas of typography that will be important in your design work.

14. Fundamentals: Combining Type With Helvetica

In this article the Indra (the author) shares her favorite Helvetica companions with the following guidelines in mind: “Focusing on contrast makes combining fonts easier. Better not pair Helvetica (or other Neo-Grotesques) with another sans serif (like a Humanist Sans). Instead, choose a serif or a slab. Transitional and Modern (bracketed)serifs work quite well with Helvetica. So do most Garaldes like Garamond — it all depends on what kind of atmosphere you’re aiming for. Browse the list of ideas below, or look for faces with broad proportions, a large x-height, or similar characteristics, like an uppercase ‘R’ with a vertical tail.”

15. Four Techniques for Combining Fonts

This article gives you four tips for navigating the typographic ocean, all built around H&FJ’s Highly Scientific First Principle of Combining Fonts: keep one thing consistent, and let one thing vary.

16. How Do I Choose Paring Fonts?

This is an open typography forum regarding paring fonts. Get the suggestion or advice from the designers who have been professionally experienced in typography in this forum.

17. Beginners Guide to OpenTtype

OpenType (OT) is a cross-platform type format that includes expert layout features to pro­vide richer linguistic support and advanced typo graphic control. This beginners guide will help to illustrate some of the more common features found in OT fonts and when they should be used.

18. Making Geometric Type Work

For graphic designers beginning to experiment in type design, a geometric or modular typeface is a natural starting point. Illustrator and other programs offer a simple collection of elements such as circles, squares, and triangles which can be combined to create a passable alphabet. This is not an argument against all geometric or modular typefaces, but simply some guidance on how to make them more readable, work effectively and be visually consistent.

19. Font or Typeface?

An article which discusses both font and typeface because these terms evolved over a considerable period of time and saw several transitions in technology, they can sometimes be interpreted in varying ways. This resulted in a terminology that is often perceived as at best esoteric, at worst plain confusing.

20. On Web Typography

A List Apart gives you more knowledge for typography on websites, explore choosing and pairing fonts on the web, particularly in relation to the expanded options @font-face provides from this article.

21. Choosing Type Alignment For The Web

This is another article that will help you understand type alignment for the web. It explains each on Justified, Right-Aligned, and Left-Aligned and giving the reason of which is best to use on the web depends on your need.

22. Principles For Readable Web Typography

There are many factors that play into the readability of text. There are also a number of terms, all very important. This article explains a few of the more common Web typography terms and an explanation of how each term affects readability.

23. Setting Type on the Web to A Baseline Grid

And how about setting type to a baseline grid? Learn more and practice it after you read this article, it will guide you with the easy to follow examples and codes.

24. Clagnut’s Typography

Clagnut’s typography category archive is filled with great information on typography spanning the past eight years or so. Articles talking about theory, news, and technique are all included.

25. Type-Inspired Interfaces

Picking the right typeface gets you farther than you might think. Here are a few tips on taking cues from type to design interfaces and interface elements.

26. Inside The 3D Typography

This article will guide you to understand how to develop digital work in 3d typography, also included with 3D typography book and 3D typography inspirations.

27. Typography Books To Help You Learn Typography

The article gives you 15 typography books (with links to purchase) which are personally recommend by the writer to helped you learn, understand, appreciate and absolutely love typography and type layout.

28. Findings

Typography samples and inspiration.

Did you find that your favorite typography-related article is not on the list? Let us know in the comment section.

Those all fonts may seem pretty similar with each other, but they’re actually not, notice little pixelation differences and choose your best pick suitable for your projects.

1. Advocut

2. Technicality

3. Aux DotBitC

4. Pixel Berry

5. Pixelation

6. Visitor TT2 BRK

7. Bitdust Two

8. Bit Low

9. Bit Trip 7

10. Bit Light 10

11. Bit Cheese 10

12. Bit Darling 10

13. Bit Daylong 11

14. FFF Harmony

15. Apple

16. Pixel Mix

17. PF Tempesta Seven

18. Redensek

19. C&C Red Alert

20. Large 9

21. Wendy

22. Nokia Cellphone FC

23. PF Ronda Seven

24. Unborn Editrion

25. RuneScape UF

26. Acknowledge

27. Alterebro Pixel

28. Retro Rescued

29. Pixel Arial 11

30. Uni 05

31. 00 Starmap Truetype

32. Proggy Fonts

33. Free Fonts by Cal Henderson

34. Free Fonts by Yusuke Kamiyamane

35. Charriot

36. Victor’s Pixel Font

37. Haeccity

38. YoungDantes

39. Silky Wonderland

40. Pixel Art Font

41. Skinny

42. Fuzzball Fury

43. bQUBIK

44. Ants on a Log

45. Dysfunction Circuit Caps

46. Minimal 5

47. Sample

48. Semplice Pixelfonts

49. Pixel Punch

50. Double Oh One

51. Visitor TT1

52. Silkscreen

53. Harry

54. Cubic Five

55. Deluxe Font

56.  Sevenet 7

57.  PF Tempesta Five

58. Type Writer

59. Pixel Ex

60. FFF Access

61. Dapixelfonts

62. 04B

63. HaxrCorp S8

64. Levi Windows

65. Wellbutrin

There are 3 kinds of typefaces :

1.Sans-serif

More modern look, without any serifs. More minimal, elegant – often used in fashion companies and

2.Serif

Serif is visually more appealing type than sans-serif adding more  elegant, sophisticated look.

If You don’t know the difference, image below will explain it better than I can say with words:

Compare sans-serif with serif ( I used Times New Roman for this example) and I hope You see the difference. And the name “serif” is pretty self explaining.

3.Script

Convey more friendly feel with handwriting fonts, if You are good at handwriting try to create Your own calligraphy on Your tablet or scan Your handwriting – why do that? If You use typeface – every letter will be the same using those, but creating something Your own , You can create really unique touch.

There are lot of possibilities to create unique logo using just these variations – all caps, spacing, uppercase, lowercase, size, different colors, different weighting (bold, thin, roman.. etc.), transparency, 3D look or just create combination of these ways.

a) Just using font ( Delicious font for this example) lowercase with no spacing:

b) all caps:

c)spacing:

d) size:

e) different colors:

f) different weighting ( roman, italic, bold):

g) transparency:

This is too complex example by the way, but it’s ok for You to get the point.

h) 3D look:

If You use Adobe Illustrator, You can extrude&bevel in this way – Effect –>3D –> Extrude&Bevel.
You might consider using rotation, distortion, perspective tools too.

Done using Illustrator’s Revolve tool ( Effect–>3D–>Revolve):

Tip:

Keep in mind trying to create logotype “square” form type if You consider printing it on different posters, brochures – then You won’t got any problems with resizing and keeping it good looking.

And don’t forget about millions of different fonts You can choose from!  While choosing the right typeface – compare them, just adding below each other copies and variants – try to look over repeating, more elegant letters and bits of those to get Your vision and inspiration going – to create successful logotype sometimes You need to just add one accent changing one thing in the typeface describing companies business activities, goals in eye catching way and remember to keep it simple! If You haven’t got inspiration or ideas what to do, how to do, there are also different  roundups and sites summarizing different logs and ideas.

I often use logopond.com – there are huge amount of professional logotypes there, giving You great inspiration!!

brandsoftheworld.com is another handy resource with advanced search options using – brand name, description, author, uploader, url, category, country.

And one more time, use free font resources and their great online testing features!